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Jack Lee was a quiet tree of invitingness when Therese Barron and I entered the house at the very northern end of the Santa Monica Mountains. His home felt occupied, but with enough room in it for those who entered so that they didn’t feel they might knock something or someone aside by being there. A stone on the desk in the living room where we recorded read a comforting quote by the poet Tagore. Anyone who values the work of Tagore is a win in my book. Thanks to our mutual friend, Nick Thorkelson, for the introduction. 🙂
A Word on the Engineer/Co-Producer/Accompanist/Studio:
Jack Lee is a master of a comfortable silence. He was genuinely excited about the “three-hour challenge” of the Singles Project, and rose to it effectively, making excellent use of both our time by setting a schedule of what needed to happen by when — “Let’s do your part first, then add my parts until such and such a time, then comp, mix, and master.” His dobro and soulful piano parts – created on the spot – fit succinctly into the Blessing Song, unobtrusively, with a spiritual loveliness that not many have naturally in their fingers. The man is an artist and poet in many capacities, and we only scratched the surface of it by calling upon his skills as an engineer and instrumentalist. I’m glad to have him on my roster.
The Free One!
So back in January there was a special sort of single – the kind that is terrifying to undertake because it is so bare. The kind that leads me to the soft dry hills of Sunland, where I spent a good chunk of my childhood. The kind that even though you can’t afford the cello and the viola this month, you’re not so disappointed because the alternative turned out to be just as interesting in all its quiet simplicity.
The story of Michael and Sarah is not a new one, and not a true one, but I have to hand it to Dave Morrison and Greg Krueger for bringing it to light in such an honest, laceratingly raw fashion. Thank you, gentlemen.
A Word on the Studio and the Engineer:
I made up the name Krueger Studios since Mr Krueger has never settled on a title for his amalgamation of high-end gear, exceptional resume, and sensitive ear. His sense of humor coupled with his in-studio efficiency made for a truly enjoyable experience. For more information write me. He’s worth a bit o’ diggin’.
A Word on the Accompanist:
Dave Morrison is not accustomed to singing without a guitar. The man has a shining, well-deserved reputation around the Los Angeles scene as one of the finest American songwriters around, and I have had the pleasure of sharing a stage with him, accompanying him, and seeing his genius for myself. He presents a concert series in Pasadena called “Quarter Moon Revue” at an ancient Unitarian church by the name of Throop, makes the audience dinner with his two hands, and never puts on a bad act. Dave is in the process of forming the 2.0 version of the Dave Morrison Band, and for goodness’ sakes, keep your ears peeled.