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So back in January there was a special sort of single – the kind that is terrifying to undertake because it is so bare. The kind that leads me to the soft dry hills of Sunland, where I spent a good chunk of my childhood. The kind that even though you can’t afford the cello and the viola this month, you’re not so disappointed because the alternative turned out to be just as interesting in all its quiet simplicity.
The story of Michael and Sarah is not a new one, and not a true one, but I have to hand it to Dave Morrison and Greg Krueger for bringing it to light in such an honest, laceratingly raw fashion. Thank you, gentlemen.
A Word on the Studio and the Engineer:
I made up the name Krueger Studios since Mr Krueger has never settled on a title for his amalgamation of high-end gear, exceptional resume, and sensitive ear. His sense of humor coupled with his in-studio efficiency made for a truly enjoyable experience. For more information write me. He’s worth a bit o’ diggin’.
A Word on the Accompanist:
Dave Morrison is not accustomed to singing without a guitar. The man has a shining, well-deserved reputation around the Los Angeles scene as one of the finest American songwriters around, and I have had the pleasure of sharing a stage with him, accompanying him, and seeing his genius for myself. He presents a concert series in Pasadena called “Quarter Moon Revue” at an ancient Unitarian church by the name of Throop, makes the audience dinner with his two hands, and never puts on a bad act. Dave is in the process of forming the 2.0 version of the Dave Morrison Band, and for goodness’ sakes, keep your ears peeled.
Songography 