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Meet Steve Postell, an earlier generation mainstay of the Santa Monica songwriter scene. Enter his studio, which like so many studios in LA (including the one in which I live), is a very effectively re-purposed garage…and is nearly completely overrun with frogs.
Glass frogs, plastic frogs, metal frogs, cloth frogs, frogs that play bass, frogs that read, frogs that dance, frogs with afros…just about any kind of frog you can imagine. Somewhere way back in the annals of time a client brought a gift frog for Steve, and somehow the trend never died. Steve is, in fact, no longer accepting frogs, so when you call him to record you (and you should), please do not bring a frog. Not even as a joke.
A Word on the Engineer/Co-Producer/Accompanist/Studio:
I’m finding over time how an engineer’s energy can make or break a recording, and Steve is a master of efficiency and focus, things I readily include in the list of helpful vibes. We sat down at the beginning of the session and planned what we would do and how long we should take at it. He made a quick chart of the song as I explained what I had in mind, and what he wasn’t able to execute to his satisfaction in our session he put together on his own time, an extremely generous gesture. His intellectually-informed creative contributions, both on the dobro and in his totally worthy feedback, put me at ease and let me know I was working with someone who enjoyed the work. Steve does not engage with projects which will not live up to a certain standard, so his willingness to participate in the Singles Project with me, with just about zero precedent, was an immediate compliment, and I am honored to count him collaborator.